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O.A. Calderon Sandoval
and
M.A. Sanchez Espinosa,
"A Diffractive Analysis of the Documentary Film No existimos: Making Visible the Invisible with an Eccentric Technology of Gender", Sociología y Tecnociencia, vol.11
, 1-19, 2021
|
M.A. Sanchez Espinosa
and
S. Calvo De Mora Mármol,
"Disinformation and public representations of identity. A feminist close reading of Margaret Atwood¿s Alias Grace", ReiDoCrea, vol.10
, 1-10, 2021
|
O.A. Calderon Sandoval
and
M.A. Sanchez Espinosa,
"Feminist Counter-Cinema and Decolonial Countervisuality: Subversions of Audiovisual Archives in Un'ora sola ti vorrei (2002) and Pays Barbare (2013)", Studies in Documentary Film, vol.15
, 187-202, 2021
|
M. López-Peláez Casellas
"Forget Not Who Thou Art: Contradictory Identification in Ruiz de Burton¿s Theatre", Miscelánea: A Journal of English and American Studies, vol.74
, -, 2021
|
G. Rodriguez Salas
"Frankenstein's Creature's Self-Portrait: Transgender Politics in Man Into Woman and The Danish Girl", Atlantis. Journal of the Spanish Association of Anglo-American Studies, vol.42
, -, 2021
|
O.A. Calderon Sandoval
"Implementing gender equality policies in the Spanish film industry: persistent prejudices and a feminist will to `exploit the centre into concentric circles¿", The International Journal of Cultural Policy
, -, 2021
|
B. Revelles Benavente
"Intra-mat-extuality: feminist resilience within contemporary literature. ", vol.25
, 190-206, 2021
|
M.A. Sanchez Espinosa
"Introduction: Seeking Eccentricity", Sociología y Tecnociencia, vol.11
, 1-19, 2021
|
|
Última actualización del SICA: 10/01/2024